Copyright © Edward Riojas
When creating images relating to Holy Scripture, I like to get things right. In a way, it’s similar to the genre of history painting, in which the artist takes the time to research period costumes, location, and even the weather surrounding a specific historical event.
Holy Scripture, however, is not simple history. The Word does not always give information that would otherwise seem like straightforward historical data. Most historical information, such as the dress of a Galilean fisherman or the construction of a Jerusalem house, must be gleaned from other sources.
Neither does Holy Scripture read like a novel. Unless there is good reason to do so, Biblical passages won’t tell the reader whether or not "the sky was ripe with rain" or if a "garment gently played in the breeze." The more romantic corners of our brain are necessarily ignored. That’s because the Bible was not written as a fine diversion for our amusement.
On those occasions when Scripture does offer narrative details, however, the reader should pay attention. Those things which we often gloss over; those words which are often left in the margins are usually significant.
St. John’s account of Christ’s burial, for example, is the only Gospel to mention a garden. It is mentioned once, then implied shortly thereafter.
“Now in the place where he was crucified there was a garden, and in the garden a new tomb in which no one had yet been laid.” John 19:41 (ESV)
“... Supposing him to be the gardener,...” John 20:15b (ESV)
Of course, we know this. Some artists make the tomb environs look well-kept, with cypress trees, vines, and perhaps a lily or two. Other artists are content to take the minimalist road and stick to a rock garden. Unfortunately, we are usually so focused on the account of Jesus’ death that we often underappreciate the horticultural detail. That is, unless you’re Adam or Eve.
With the temple curtain torn in two from top to bottom, with unsavory Goyim confessing Jesus to be the Son of God, with graves being opened and saints contained therein appearing to many, this small detail seems a Divine nod to a very different garden. I can see Adam giving the biggest fist-pump ever at John’s mention of a garden. To suffer life-long banishment of some 900 years from the Garden of Eden, only to have the Lamb of God interred in a mirrored location seems no coincidence. To have angels present, sans flaming swords, seems no coincidence, either. Yet there is more.
Into this garden was laid The Seed. It must first die before springing to life. But unlike other plants with their excruciating germination time, this Stump of Jesse not only sprang to life and became the Vine from which we branch, but It also flowered and became “the firstfruits of those who have fallen asleep.” This, in a garden.
|Flanking 'garden' images from a shelved chancel project. Figures acknowledge the central cross. |
(Collection of the artist)